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Which one of the following is a work attributed to playwright Bhasa ?
Explanation
The thirteen plays attributed to Bhasa are the earliest dramas in Sanskrit.[1] Among his works, Bhasa, who is considered to be the earliest playwright, has written plays based on the Ramayana and the Mahabharata—Pratima, Abhisheka, Madhyama Vyayoga, Urubhanga, Karnabhara[2]. The Madhyama-vyayoga by Bhasa is cited as the best example of a Vyayoga[3], a type of Sanskrit dramatic composition. In the year 1910, Mahamahopadhyaya T. Ganapathi Shastri of Travancore discovered a collection of 13 plays with a similarity of expression and construction and declared them as the compositions of one single author, Bhasa.[4]
The other options are incorrect: Kavyalankara is a work on poetics (not by Bhasa), Natyashastra is an ancient treatise on performing arts attributed to Bharata Muni[5], and Mahabhashya (along with Nidan sutras) is accepted as the real contribution of Patanjali to the science of medicines[6].
Sources- [2] https://ia801403.us.archive.org/1/items/in.ernet.dli.2015.201510/2015.201510.Indian-Theatre_text.pdf
- [4] https://www.sanskrit.nic.in/about_sanskrit.php
- [5] https://www.jetir.org/papers/JETIR2402704.pdf
- [6] https://www.sanskrit.nic.in/about_sanskrit.php
PROVENANCE & STUDY PATTERN
Guest previewA classic 'Elimination by Genre' question. While Bhasa's specific plays are detailed in culture manuals (like Nitin Singhania), the other three options are foundational NCERT facts (Patanjali, Bharata, Bhamaha). You didn't need to know the answer; you needed to know what the answer was NOT.
This question can be broken into the following sub-statements. Tap a statement sentence to jump into its detailed analysis.
This snippet identifies Bhasa specifically as a dramatist known for plays (re-discovered, wrote several important works).
A student could use this genre-identification to check whether Kavyalankara is a dramatic work (making Bhasa plausible) or a different genre (making attribution to a dramatist less likely).
The snippet cites Dandin as author of Kavyadarsa, described as a treatise on rhetoric — showing that classical Sanskrit authors wrote distinct technical treatises on poetics/rhetoric with titles like 'Kavyadarsa'.
A student could note the naming pattern (Kavya‑ + technical title) and compare Kavyalankara's title/genre to known treatises vs plays to assess whether it fits the kind of work usually authored by dramatists like Bhasa.
This snippet lists prominent dramatists and their specific plays (Kalidasa, Sudraka, Visakhadatta), illustrating that playwrights in classical Sanskrit literature are mainly associated with dramatic compositions rather than poetics treatises.
A student could use this pattern to investigate whether Kavyalankara appears in lists/catalogues of plays (where Bhasa's works occur) or in lists of poetics treatises (where different authors like Dandin appear).
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