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The painting of Bodhisattva Padmapani is one of the most famous and oft-illustrated paintings at
Explanation
The painting of Bodhisattva Padmapani is located to the left of the entrance to the antechamber of the main shrine of the cave at Ajanta.[3] This gentle figure is one of the masterpieces of Indian art.[4] The painting of Bodhisattva Padmapani from Cave I is one of the masterpieces of Ajanta Painting executed in the late 6th century CE.[6] The Padmapani, meaning "Bearer of the Lotus," is among the most celebrated and frequently reproduced paintings from the Ajanta cave complex, showcasing the high artistic achievement of ancient Indian Buddhist art. The other options—Badami, Bagh, and Ellora—are all significant cave complexes in India with their own artistic heritage, but the famous Bodhisattva Padmapani painting is specifically associated with Ajanta Cave 1.
Sources- [1] https://frontline.thehindu.com/other/article30224725.ece
- [2] https://frontline.thehindu.com/other/article30224725.ece
- [3] https://frontline.thehindu.com/other/article30224725.ece
- [4] https://frontline.thehindu.com/other/article30224725.ece
PROVENANCE & STUDY PATTERN
Guest previewThis is a 'Cover Page' question—literally the most iconic image in Indian Art History found in the Class XI Fine Arts NCERT. While the skeleton flagged it as web-based, for a serious aspirant, this is purely static. If you miss this, your core textbooks are unread.
This question can be broken into the following sub-statements. Tap a statement sentence to jump into its detailed analysis.
- Statement 1: Is the painting of Bodhisattva Padmapani located at the Ajanta Caves?
- Statement 2: Is the painting of Bodhisattva Padmapani located at the Badami cave temples?
- Statement 3: Is the painting of Bodhisattva Padmapani located at the Bagh Caves?
- Statement 4: Is the painting of Bodhisattva Padmapani located at the Ellora Caves?
- Explicitly names a painting of the Bodhisattva Padmapani at Ajanta.
- Specifies its location: left of the entrance to the antechamber of the main shrine of the cave, tying the figure to Ajanta cave context.
- Directly identifies 'The Padmapani' as a masterpiece located in Cave 1, Ajanta.
- Reinforces that the figure is associated with the Ajanta cave paintings tradition.
States Ajanta (Maharashtra) is the most famous site for cave paintings and mentions a motif of a woman surrounded by lotuses and elephants in Ajanta paintings.
A student could note that Padmapani is associated with a lotus motif and therefore check whether Ajanta paintings include lotus-associated Bodhisattva images (via image comparisons or site guides).
Explicitly says the popular Bodhisattva Avalokitesvara is depicted in painting and sculpture.
Since Padmapani is a form/name of Avalokitesvara, a student could link this rule to seek Avalokitesvara images at Ajanta to test if Padmapani appears there.
Describes Ajanta caves as a repository of rich mural paintings with technical detail, indicating major mural tradition at the site.
Knowing Ajanta is a primary site for major murals, a student could prioritize Ajanta when looking for famous Bodhisattva paintings such as Padmapani (using photographic catalogs or museum references).
Notes Ajanta group of caves are famous for paintings (as opposed to Elora for sculpture) and gives their broad dating and location.
A student could combine this with knowledge that Padmapani is a painted Bodhisattva figure to focus inquiries on Ajanta’s painted caves and their catalogues or specific cave numbers.
States there are thirty caves in Ajanta and several contain mural paintings, implying specific caves to inspect for particular painted images.
A student could use this to narrow the search to Ajanta’s painted caves (identify which caves carry figurative murals) when verifying whether Padmapani appears there.
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