Question map
Who among the following rulers advised his subjects through this inscription ? "Whosoever praises his religious sect or blames other sects out of excessive devotion to his own sect, with the view of glorifying his own sect, he rather injures his own sect very severely."
Explanation
The correct answer is Option 1 (Ashoka).
This profound message is inscribed in Major Rock Edict XII of the Mauryan Emperor Ashoka. Following the Kalinga War, Ashoka embraced Dhamma, a moral code centered on religious tolerance, non-violence, and mutual respect. In this edict, he emphasizes that the "growth of the essentials" of all religions is possible only through restraint in speech.
Ashoka argued that by disparaging other sects, an individual not only shows a lack of understanding but also causes significant harm to their own faith. While other rulers like Samudragupta and Harshavardhana were known for religious patronage, it was Ashoka who uniquely used inscriptions as a medium to institutionalize the concept of Sarva Dharma Sambhava (equal respect for all religions). His approach aimed at maintaining social harmony in a diverse empire, making his edicts a cornerstone of ancient Indian political ethics.
PROVENANCE & STUDY PATTERN
Full viewThis is a classic 'Source Box' question. It rewards reading the primary source excerpts in NCERTs, not just the main narrative. Ashoka's edicts are the single most quoted primary sources in Indian history exams; if a quote sounds like a moral sermon carved in stone, it is almost always Ashoka.
This question can be broken into the following sub-statements. Tap a statement sentence to jump into its detailed analysis.
- Statement 1: Is the inscription containing the sentence "Whosoever praises his religious sect or blames other sects out of excessive devotion to his own sect, with the view of glorifying his own sect, he rather injures his own sect very severely." attributed to Emperor Ashoka?
- Statement 2: Is the inscription containing the sentence "Whosoever praises his religious sect or blames other sects out of excessive devotion to his own sect, with the view of glorifying his own sect, he rather injures his own sect very severely." attributed to Samudragupta?
- Statement 3: Is the inscription containing the sentence "Whosoever praises his religious sect or blames other sects out of excessive devotion to his own sect, with the view of glorifying his own sect, he rather injures his own sect very severely." attributed to Harshavardhana?
- Statement 4: Is the inscription containing the sentence "Whosoever praises his religious sect or blames other sects out of excessive devotion to his own sect, with the view of glorifying his own sect, he rather injures his own sect very severely." attributed to Krishnadeva Raya?
- Contains a first‑person Ashokan inscription opening ('Thus speaks the Beloved of the Gods, the king Piyadasi'), linking the ruler directly to statements about handling different sects.
- Explicitly records Ashoka assigning officers to engage with Buddhists, brahmans, Ajivikas, Jains and various sects — matching the theme of regulating sectarian behavior.
- Summarizes Ashoka's claim that he encouraged all sects to accept each other's best teachings, which aligns with a prohibition on partisan praise/blame.
- Frames Ashoka's inscriptions as statements of policy promoting inter‑sect mutual respect.
- Describes Ashoka's edicts (Major Rock Edict 3) instructing officials to teach dhamma to the populace, indicating official inscriptions dealt with moral conduct and social harmony.
- Connects the administrative mechanism (yuktas, rajjukas, pradesikas) to dissemination of Ashoka's moral injunctions, supporting attribution to the emperor.
- Passage is from the page 'Edicts_of_Ashoka' and presents the sentence as part of those edicts.
- It attributes the statement to 'The Beloved of the Gods, the King Piyadassi', i.e., the speaker named in this source rather than Samudragupta.
- Directly quotes the same sentence and places it in the context of Devanampriya's wishes (Devanampriya being the title used in these edicts).
- Shows the line immediately followed by 'For this is the desire of Devanampriya', indicating attribution to that ruler's inscription rather than Samudragupta.
- Repeats the wording of the sentence and frames it as the desire of 'His Sacred Majesty', language consistent with royal edict wording in the same corpus.
- Attributes the sentiment to the sovereign voice in these sources, not to Samudragupta specifically.
Identifies the Prayaga Prashasti (Allahabad pillar inscription) as a pillar inscription praising Samudragupta composed by the court poet Harisena.
A student could check whether the quoted sentence appears in the Prayaga Prashasti or other inscriptions attributed to Samudragupta by comparing texts/translations of that inscription.
Explicitly notes the Prayaga Prashasti is composed by Harishena and is an example of inscriptions praising Samudragupta (context about such inscriptions being crafted by court poets).
Use this to focus textual searches on Harishena's Prayaga Prashasti as the most likely epigraphic source to check for the sentence.
Contains an excerpt from 'the inscription' in Sanskrit listing social/occupational virtues — showing inscriptions sometimes include moralizing or descriptive general lines.
Compare the style and subject‑matter of this excerpt with the style of the quoted sentence to judge whether such didactic moral sentences commonly occur in royal inscriptions.
Lists epigraphical sources for the Guptas and specifically cites the Allahabad/Prayaga pillar inscription as describing Samudragupta's personality and achievements in composed lines by Harisena.
Narrows the search to standard epigraphical compilations and editions of the Allahabad inscription to verify presence/absence of the sentence.
Describes intense sectarian rivalry in the period and gives examples of religious texts ridiculing other sects, showing the historical context for sentences condemning sectarian praise/attacks.
A student could reason that such a sentence (condemning sectarian praise) might plausibly appear in contemporary texts or inscriptions and so should be checked across both epigraphic and religious literature of the period.
- Passage is from the Edicts of Ashoka and immediately attributes the text to 'The Beloved of the Gods, the King Piyadassi' (Ashoka).
- The quoted sentence appears as part of Major Rock Edict No.7 in this source, linking the sentence to Ashoka rather than Harshavardhana.
- This passage reproduces the same sentence and explicitly connects it to 'Devanampriya' (a title used for Ashoka).
- The context states the injunction is 'the desire of Devanampriya', reinforcing attribution to Ashoka rather than to Harshavardhana.
- This source repeats the same wording and explains the sentence in the context of Mauryan/Ashokan inscriptions, not Harshavardhana.
- It paraphrases the edict's meaning and links the passage to the corpus of Mauryan edicts.
Shows an excerpt from an inscription in Sanskrit that contains moralizing descriptive lines about different human qualities—demonstrates that inscriptions of the period sometimes include general, ethical statements in similar style.
A student could compare the language and formulaic style of this inscription excerpt with known Harsha-period inscriptions or texts to see if the phrasing matches Harsha-era epigraphy.
Notes that Harshacharita is a Sanskrit biography of Harshavardhana written by his court poet Banabhatta, indicating Harsha's court produced Sanskrit literary works.
Use this to check whether such a moralizing sentence appears in Harshacharita or other Harsha-era court compositions, or whether inscriptions associated with Harsha are in Sanskrit.
Gives an example (Prayaga Prashasti) of inscriptions/compositions being attributed to court poets and associated with powerful rulers, showing a pattern of royal inscriptions being composed in Sanskrit and attributed to royal courts.
Investigate whether an inscription containing the sentence is listed among known royal inscriptions of Harsha or his court poets, following the same attribution pattern.
Describes intense rivalry among religious sects in the period and examples of sectarian polemic in Buddhist and Jaina texts, providing context for why admonitions about sectarian praise/blame might appear in contemporary inscriptions or texts.
Use this contextual fact to assess plausibility that a ruler or his court would compose or endorse an inscription condemning sectarian excess—then check Harsha-era records for such anti-sectarian statements.
- Explicitly labels the passage as Major Rock Edict No.7 and names 'The Beloved of the Gods, the King Piyadassi', linking the sentence to that edict.
- Contains the quoted sentence verbatim within that edict text, indicating its attribution to the edict's author rather than to Krishnadeva Raya.
- Reproduces the same sentence and places it in the context of the edict text.
- Follows the sentence with reference to 'Devanampriya', tying the passage to the edict-author tradition rather than to a later ruler.
Shows that inscriptions in Sanskrit sometimes contain moralizing, descriptive passages listing virtues and activities of people — i.e., royal or public inscriptions can include general moral maxims.
A student could check whether Krishnadeva Raya's known inscriptions or court-records follow this same literary/moral style and language to see if the quoted sentence fits that inscription genre.
Gives an example (Ashoka) of a king using inscriptions to address conduct among sects and to promote moderation among religious groups.
A student might use this pattern (kings issue inscriptions about inter-sect behaviour) to hypothesize that a Vijayanagara ruler could likewise have issued such a statement and then search Krishnadeva Raya’s epigraphic corpus for similar content.
Documents the intense rivalry and polemical content among heterodox sects in religious texts, showing historical context where admonitions against sectarian excess would be meaningful.
Given this background, a student could reason that admonitions against sectarian rancour might appear in contemporary royal or public inscriptions (so check Vijayanagara-era inscriptions for similar admonitions).
Records conflicts between major religious traditions and instances of royal intervention or statements concerning sectarian disputes.
A student could extend this by looking for inscriptions from rulers active in periods/regions of such conflict (e.g., South India/Vijayanagara) to see if rulers made conciliatory or prescriptive remarks about sectarian conduct.
Places the sixteenth century as a period of intense sectarian religious activity (Bhakti, Vaishnavism), which is the era of Krishnadeva Raya; this temporal context makes it plausible such inscriptions addressing sectarian behaviour would be produced then.
A student could combine this chronological hint with a catalog of sixteenth-century inscriptions (or known Vijayanagara records) to test whether the sentence appears in Krishnadeva Raya’s corpus.
- [THE VERDICT]: Sitter. Directly found in NCERT Class VII (Our Pasts II) and Class XII (Themes I) within the 'Source' sidebars.
- [THE CONCEPTUAL TRIGGER]: Mauryan Administration & Ashoka's Dhamma (Major Rock Edict XII).
- [THE HORIZONTAL EXPANSION]: Memorize key Edict themes: RE I (Ban on animal sacrifice), RE XIII (Kalinga War/Remorse), RE XII (Religious Tolerance/This Question), Rummindei Pillar (Tax reduction to 1/8th), Maski/Gujarra (Personal name 'Ashoka'), Bhabru (Faith in Buddha/Sangha).
- [THE STRATEGIC METACOGNITION]: When reading History NCERTs, treat the 'Blue Boxes' or 'Source' excerpts as high-yield. UPSC loves asking 'Who said this?' based on these specific translations of inscriptions.
Ashoka used inscriptions in his own voice to communicate dhamma and social norms across his empire.
High‑yield for questions on Mauryan administration and ideology: explains how rulers used inscriptions for moral and political messaging, links to sources like Major Rock Edicts and to debates about reliability of royal inscriptions. Useful for questions on statecraft, propaganda, and sources in ancient India.
- Exploring Society:India and Beyond ,Social Science-Class VII . NCERT(Revised ed 2025) > Chapter 5: The Rise of Empires > Questions and activities > p. 115
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 4: Emergence of State and Empire > Ashoka's Dharmic State > p. 55
Ashoka's policies promoted acceptance among Buddhists, brahmans, Ajivikas, Jains and other sects rather than sectarian partisanship.
Important for questions on religion and society in the Mauryan period: shows how imperial policy affected religious plurality and social stability, and connects to themes of secular governance and cultural integration.
- Exploring Society:India and Beyond ,Social Science-Class VII . NCERT(Revised ed 2025) > Chapter 5: The Rise of Empires > THINK ABOUT IT > p. 106
- Exploring Society:India and Beyond ,Social Science-Class VII . NCERT(Revised ed 2025) > Chapter 5: The Rise of Empires > Questions and activities > p. 115
Ashoka appointed officers to teach and supervise dhamma among various social and religious groups.
Useful for answering questions on administrative structure and implementation of moral policies; links inscriptions to concrete bureaucratic roles and to study of how ideology was enforced across regions.
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 4: Emergence of State and Empire > Ashoka's Dharmic State > p. 55
- Exploring Society:India and Beyond ,Social Science-Class VII . NCERT(Revised ed 2025) > Chapter 5: The Rise of Empires > Questions and activities > p. 115
The Prayaga Prashasti is the principal pillar inscription associated with Samudragupta and is composed by the court poet Harisena.
High-yield for UPSC because attribution of royal inscriptions is central to reconstructing Gupta polity and reigns; it links epigraphy to literary authorship and helps answer questions on primary-source provenance and royal propaganda.
- Exploring Society:India and Beyond ,Social Science-Class VII . NCERT(Revised ed 2025) > Chapter 7: The Gupta Era: An Age of Tireless Creativity > The warrior king > p. 149
- THEMES IN INDIAN HISTORY PART I, History CLASS XII (NCERT 2025 ed.) > Chapter 2: Kings, Farmers and Towns > 4.2 Divine kings > p. 37
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 7: The Guptas > II. Epigraphical Sources > p. 89
Royal inscriptions often praise rulers and may exaggerate achievements rather than provide strictly factual accounts.
Important for source-criticism questions: mastering this helps aspirants evaluate reliability and bias of inscriptions, connect to historiography topics, and answer source-based questions on ancient statecraft and propaganda.
- Exploring Society:India and Beyond ,Social Science-Class VII . NCERT(Revised ed 2025) > Chapter 7: The Gupta Era: An Age of Tireless Creativity > The warrior king > p. 149
- Exploring Society:India and Beyond ,Social Science-Class VII . NCERT(Revised ed 2025) > Chapter 7: The Gupta Era: An Age of Tireless Creativity > The warrior king > p. 150
- THEMES IN INDIAN HISTORY PART I, History CLASS XII (NCERT 2025 ed.) > Chapter 2: Kings, Farmers and Towns > Ü Discuss... > p. 48
Intense competition and mutual criticism existed among Buddhist, Jaina and other heterodox sects in the period.
Useful for questions on religious history and social dynamics; helps link sectarian interaction to political patronage, inscriptional language about religion, and debates in cultural history.
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 3: Rise of Territorial Kingdoms and New Religious Sects > Rivalry among Heterodox Sects > p. 38
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 13: Cultural Syncretism: Bhakti Movement in India > Early Conflicts > p. 191
Rivalry between Buddhism, Jainism and other sects produced mutual criticism and polemics that shaped religious discourse.
High-yield for UPSC: explains patterns of sectarian conflict, conversion, and literary polemics in medieval India; links to study of Bhakti movements, regional politics, and social change; useful for answering source-based and essay questions on religious interactions and communal dynamics.
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 3: Rise of Territorial Kingdoms and New Religious Sects > Rivalry among Heterodox Sects > p. 38
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 13: Cultural Syncretism: Bhakti Movement in India > Early Conflicts > p. 191
- THEMES IN INDIAN HISTORY PART II, History CLASS XII (NCERT 2025 ed.) > Chapter 6: Bhakti-Sufi Traditions > Great" and "little" traditions > p. 143
The 'Queen's Edict' (Allahabad-Kosam pillar) is the only edict mentioning Ashoka's queen (Karuvaki) and son (Tivala). Also, the Kandahar Bilingual Rock Inscription uses Greek and Aramaic, showing his reach into the Hellenistic world.
Apply 'Tone Analysis'. Samudragupta's inscriptions (e.g., Prayaga Prashasti) are 'Panegyrics' (glorifying war and conquest). Krishnadeva Raya's are typically donative or administrative. Only Ashoka is known for 'Sermons on Stone'—preachy, moralistic, and focused on social ethics (Dhamma) rather than military victory.
This quote is a Goldmine for GS IV (Ethics) and Essay. It defines the Indian model of Secularism (Sarva Dharma Sambhava)—not as state indifference, but as active respect for all sects to prevent 'injuring one's own sect' through arrogance.