Question map
With reference to the book "Desher Katha" written by Sakharam Ganesh Deuskar during the freedom struggle, consider the following statements : 1. It warned against the Colonial State's hypnotic conquest of the mind. 2. It inspired the performance of swadeshi street plays and folk songs. 3. The use of 'desh' by Deuskar was in the specific context of the region of Bengal .. Which of the statements given above are correct ?
Explanation
The correct answer is Option 1 (1 and 2 only). Published in 1904, Desher Katha (Tales of the Nation) was a seminal work by Sakharam Ganesh Deuskar that played a pivotal role during the Swadeshi Movement.
- Statement 1 is correct: Deuskar warned against the "hypnotic conquest of the mind," arguing that British rule survived not just through force, but by psychologically convincing Indians of the superiority of Western civilization and the "benevolence" of colonial rule.
- Statement 2 is correct: The book’s vivid documentation of economic exploitation reached the masses through oral traditions. It directly inspired Swadeshi street plays (Jatras) and folk songs, becoming a textbook for revolutionary activists.
- Statement 3 is incorrect: Although written in Bengali, Deuskar used "desh" to refer to the entire Indian nation, not just the region of Bengal. His focus was on the pan-Indian struggle against colonial economic drain, making his appeal nationalist rather than regional.
PROVENANCE & STUDY PATTERN
Full viewThis is a classic 'Bouncer' derived from the periphery of standard texts. While Spectrum mentions Deuskar as a populariser of economic critique, the specific phrasing ('hypnotic conquest') comes from academic discourse or specific cultural anniversaries. The key was to identify the 'trap' in Statement 3 regarding the scope of nationalism.
This question can be broken into the following sub-statements. Tap a statement sentence to jump into its detailed analysis.
- Statement 1: Did the book "Desher Katha" by Sakharam Ganesh Deuskar (written during the Indian freedom struggle) warn against the Colonial State's "hypnotic conquest of the mind"?
- Statement 2: Did the book "Desher Katha" by Sakharam Ganesh Deuskar (written during the Indian freedom struggle) inspire the performance of swadeshi street plays and folk songs?
- Statement 3: In the book "Desher Katha" by Sakharam Ganesh Deuskar (written during the Indian freedom struggle), was the use of the term "desh" specifically meant to refer to the region of Bengal?
Says nationalist agitation undermined the ideological hegemony of alien rulers over Indian minds, exposing the myth that foreign rule was in Indians' interest — a pattern of concern with mental/ideological domination.
A student could use this rule to look for similar language/metaphors in Desher Katha (e.g., 'conquest of the mind', 'hegemony', 'myth') to see if the book frames colonial rule as mental domination.
Notes that nationalists used newspapers and journals abroad to 'infuse a feeling of nationalism' — indicating an active struggle over public opinion and minds via print media.
A student could check whether Desher Katha addresses press/propaganda or countermessaging as tools of colonial mental influence or resistance.
Describes a historiographical critique that some approaches 'take the mind or ideals out of human behaviour', highlighting that debates explicitly treated 'mind/ideals' as central to political behavior under colonial rule.
A student might test whether Desher Katha engages explicitly with Indian minds/ideals (rather than only material grievances), which would support the plausibility of a warning about 'hypnotic' influence.
Discusses freedom as overcoming fear of authority and opinion — a theme about psychological domination and liberation of mind relevant to claims of 'hypnotic' conquest.
Use this conceptual link to look for passages in Desher Katha that frame colonial rule as creating fear/mental paralysis or call for psychological emancipation.
Explains how diverse grievances coalesced into national consciousness, implying intellectual/unifying processes that counter colonial influence over people's thinking.
A student could compare Desher Katha's emphasis (if any) on building national consciousness against colonial mental domination to see if it uses 'conquest of mind' rhetoric.
Says traditional folk theatre forms in Bengal were explicitly used as a medium of swadeshi propaganda.
A student could check whether Desher Katha was circulated or adapted into folk-theatre scripts or referenced in Bengal samiti/folk performance records.
Notes Rabindranath Tagore revived Bengali folk music to rouse national pride, showing literary figures could stimulate folk musical revival for nationalist ends.
Look for parallels by investigating if Deuskar's book included folk material or was cited by performers reviving songs.
Describes samitis using swadeshi songs and public performances to mobilise masses—an organisational pathway for a book to inspire street plays/songs.
Search samiti pamphlets, programs or reports for references to Desher Katha being used in their cultural programmes.
Shows nationalists drew inspiration from contemporary poets and writers whose works generated songs and cultural activity.
Investigate whether Deuskar was among authors whose texts were set to song or adapted by nationalist cultural activists.
Gives the concrete example of Bankim Chandra's novel inspiring the song 'Vande Mataram'—demonstrating a pattern where a literary work spawns influential patriotic songs.
Use this pattern to justify searching for evidence that Desher Katha similarly produced or inspired street-song adaptations.
- The title is given an explicit translation as 'Story of the Country', which indicates 'desh' was rendered as 'country' rather than a specific province.
- The bibliographic context places the work in wider circulation (multiple editions in Calcutta), consistent with a national rather than purely regional focus.
- The passage states the book 'comprehensively showed the impact of colonialism on the Indian economy', linking its subject to India as a whole.
- Discussion of 'the Indian economy' implies 'desh' was used in the sense of the country (India), not only Bengal.
- The book is described as popularizing the economic critique of nationally prominent economists (Dadabhai Naoroji and R.C. Dutt), indicating a broader Indian focus.
- Presenting those pan-Indian economic arguments in Bengali suggests 'desh' refers to the country (India) addressed to Bengali readers, not exclusively to Bengal.
Defines 'Swadeshi' as 'of one's own country' and shows political vocabulary in the freedom movement used 'desh'/'swadeshi' to mean 'one's country'.
A student could check whether 'desh' in contemporary political writings of the period is used locally (e.g., Bengal) or for the whole of India by comparing usage across documents from 1905 and the 1920s.
Notes that the Swadeshi campaigns followed the partition of Bengal and that political propaganda shifted to regional language — suggesting political terms like 'desh' might be used with regional reference in Bengal-era campaigning.
One could examine Swadeshi-era Bengali-language pamphlets and newspapers (or the book's original language/context) to see if 'desh' is used to mean Bengal specifically.
Shows that historical political/geographic labels (e.g., 'Hind') were used to denote specific regions rather than solely religious groups — indicating that terms can shift between local and broader geographic senses.
Use this pattern to ask whether 'desh' functioned similarly (regionally vs. subcontinental) by checking contemporary definitions/usages in travelogues, newspapers, or political texts.
Explains that ancient terms like 'Bhāratavarṣha' explicitly denote the entire subcontinent, offering a contrast that 'desh' might alternatively be a smaller-scale territorial term.
Compare instances where authors use 'desh' versus explicit subcontinental terms (like 'Bhāratavarṣha') to infer scale of reference in nationalist-era writings.
Gives concrete context about Bengal as a distinct, politically salient region (population, cities, conflicts) which could support using 'desh' to mean Bengal in region-focused writing.
Cross-reference regional historical accounts and Bengal-centric political literature from the period to see if 'desh' is commonly used to denote Bengal specifically.
- [THE VERDICT]: Bouncer with a Logical Backdoor. The author is in Spectrum/NCERT, but the specific details (hypnotic conquest) are deep tracks found in cultural portals (e.g., Indian Culture Portal).
- [THE CONCEPTUAL TRIGGER]: Intellectual History of the Swadeshi Movement. Moving beyond 'boycott of goods' to the 'boycott of colonial thought' (decolonising the mind).
- [THE HORIZONTAL EXPANSION]: Memorize these Swadeshi literary pillars: 1) 'Bartaman Rananiti' (Barindra Kumar Ghosh - Urban warfare), 2) 'Bhavani Mandir' (Aurobindo - Spiritual nationalism), 3) 'Nil Darpan' (Dinabandhu Mitra - Indigo planters), 4) Mukunda Das (Swadeshi Jatra/Folk theatre).
- [THE STRATEGIC METACOGNITION]: When studying regional literature of the freedom struggle, always ask: 'Was this regional pride or national awakening?' The Swadeshi movement's success was transforming a regional issue (Bengal Partition) into a Pan-Indian economic critique. Therefore, 'Desh' likely meant India.
Colonial rule relied on an intellectual and moral claim that foreign rule served local interests, which nationalists worked to dismantle.
High-yield for UPSC because questions often ask how colonial legitimacy was contested; connects political history with intellectual and economic critiques; useful for essays and mains answers on nationalism, decolonisation, and consciousness-raising.
- Rajiv Ahir. A Brief History of Modern India (2019 ed.). SPECTRUM. > Chapter 28: Economic Impact of British Rule in India > Economic Issue a Stimulant to National Unrest > p. 552
Nationalist newspapers and journals were deliberately used to foster nationalist consciousness among Indians at home and abroad.
Important for source-based and polity-history questions about mobilisation strategies; links media history with public opinion formation and revolutionary networks; enables answers on communication's role in anti-colonial movements.
- Rajiv Ahir. A Brief History of Modern India (2019 ed.). SPECTRUM. > Chapter 1: Sources for the History of Modern India > Newspapers and Journals > p. 9
Various social groups and classes, each with different grievances and aspirations, were brought together into a common struggle against colonial rule.
Valuable for structuring balanced mains answers and essays on the freedom movement; connects social composition of movements to leadership strategies and policy outcomes; helps analyze unity versus fragmentation in nationalist politics.
- India and the Contemporary World – II. History-Class X . NCERT(Revised ed 2025) > Chapter 2: Nationalism in India > Conclusion > p. 49
Folk theatre and street plays were mobilised as direct media for swadeshi propaganda during the nationalist movement.
High-yield for questions on cultural mobilisation: explains how cultural forms were converted into political tools, links to regional performing arts and mass mobilisation tactics, and helps answer comparative questions on methods used across provinces.
- Rajiv Ahir. A Brief History of Modern India (2019 ed.). SPECTRUM. > Chapter 12: Era of Militant Nationalism (1905-1909) > New Forms of Struggle and Impact > p. 266
- Rajiv Ahir. A Brief History of Modern India (2019 ed.). SPECTRUM. > Chapter 12: Era of Militant Nationalism (1905-1909) > Corps of Volunteers or 'Samitis' > p. 265
Patriotic songs and a revival of folk music were used to rouse national pride and inspire participation in the freedom struggle.
Important for questions on cultural nationalism: connects literary and musical contributions (poets, songs) to political outcomes, aids answers on the role of culture in identity-building and long-term symbolic impacts (e.g., national songs).
- Rajiv Ahir. A Brief History of Modern India (2019 ed.). SPECTRUM. > Chapter 12: Era of Militant Nationalism (1905-1909) > Impact in the Cultural Sphere > p. 267
- Modern India ,Bipin Chandra, History class XII (NCERT 1982 ed.)[Old NCERT] > Chapter 14: Nationalist Movement 1905—1918 > The Swadeshi and Bovcott > p. 242
- Rajiv Ahir. A Brief History of Modern India (2019 ed.). SPECTRUM. > Chapter 39: After Nehru... > Swadeshi Movement > p. 804
Samitis organised lectures, swadeshi songs, training and local social work to generate political consciousness among the masses.
Useful for organisational and process-oriented questions: links institutional grassroots structures to methods of agitation and education, and helps explain how local bodies translated national ideas into sustained action.
- Rajiv Ahir. A Brief History of Modern India (2019 ed.). SPECTRUM. > Chapter 12: Era of Militant Nationalism (1905-1909) > Corps of Volunteers or 'Samitis' > p. 265
- History , class XII (Tamilnadu state board 2024 ed.) > Chapter 2: Rise of Extremism and Swadeshi Movement > Summary > p. 27
Names like 'Hindu' and 'Hindustan' have been used to denote specific regions (e.g., east of the Indus) as well as broader subcontinental identities; the question about 'desh' requires this same distinction between local and pan-Indian reference.
High-yield for source interpretation in modern Indian history: mastering how political-cultural terms shift between local and wider meanings helps answer questions about nationalism, communal labels, and authors' intended audiences. This concept links to debates on identity, terminology in primary texts, and reading colonial-era political vocabulary.
- THEMES IN INDIAN HISTORY PART II, History CLASS XII (NCERT 2025 ed.) > Chapter 5: Through the Eyes of Travellers > Hindu > p. 117
Sakharam Ganesh Deuskar was a Maharashtrian settled in Bengal. He is the 'Shadow Link' who brought the 'Shivaji Festival' (started by Tilak) to Bengal to energize the youth. He is the bridge between Maratha and Bengali radicalism.
Apply the 'Expansionist vs. Restrictive' Logic. Statements 1 and 2 describe the *expansion* of the movement (mind, street plays). Statement 3 *restricts* the meaning ('specific context of Bengal'). In the Swadeshi era, the trend was broadening the struggle. Restrictive options in this context are usually incorrect traps.
Mains GS1 (Role of Literature in Freedom Struggle) & GS4 (Ethics - Cognitive Liberty): Use 'Desher Katha' as a case study for how colonial rule wasn't just political but psychological ('hypnotic conquest'), and how literature broke that spell.