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With reference to Chausath Yogini Temple situated near Morena, consider the following statements : 1. It is a circular temple built during the reign of Kachchhapaghata Dynasty. 2. It is the only circular temple built in India. 3. It was meant to promote the Vaishnava cult in the region. 4. Its design has given rise to a popular belief that it was the inspiration behind the Indian Parliament building. Which of the statements given above are correct?
Explanation
The correct answer is Option 3 (1 and 4). Below is the comprehensive explanation:
- Statement 1 is correct: The Chausath Yogini Temple at Mitawali (Morena) was built in the 11th century by King Devapala of the Kachchhapaghata Dynasty. It is renowned for its distinct circular plan.
- Statement 2 is incorrect: It is not the only circular temple in India. Other examples include the Chausath Yogini temples at Hirapur and Ranipur Jharial (Odisha), as well as the circular Shiva temple at Masrur.
- Statement 3 is incorrect: As the name "Yogini" suggests, the temple was dedicated to the Shakti/Tantric cult, specifically the 64 yoginis, rather than the Vaishnava cult. The central shrine is dedicated to Lord Shiva.
- Statement 4 is correct: Its unique hypaethral (open-to-sky) circular design with an external colonnade has led to the popular belief that it served as the architectural inspiration for the old Indian Parliament House (Sansad Bhavan) designed by Edwin Lutyens and Herbert Baker.
PROVENANCE & STUDY PATTERN
Full viewThis is a classic 'Current Affairs disguised as Art & Culture' question. The trigger was the 2020-21 Central Vista Project debates, where viral images compared the old Parliament to this temple. While standard books miss the specific dynasty, the 'Parliament inspiration' angle was all over the news.
This question can be broken into the following sub-statements. Tap a statement sentence to jump into its detailed analysis.
- Statement 1: Was the Chausath Yogini Temple near Morena built as a circular temple during the reign of the Kachchhapaghata dynasty?
- Statement 2: Is the Chausath Yogini Temple near Morena the only circular temple built in India?
- Statement 3: Was the Chausath Yogini Temple near Morena intended to promote the Vaishnava cult in the region?
- Statement 4: Has the design of the Chausath Yogini Temple near Morena been cited as the inspiration for the design of the Indian Parliament building?
- Explicitly states the temple's unique circular architecture.
- Directly says it was constructed during the reign of the Kachchhapaghata dynasty.
- Describes the temple as a 'circular marvel'.
- Links that circular design to the patronage of the Kachchhapaghata dynasty.
- Labels the site a 'Mystical Circular Sanctuary', indicating its circular form.
- States it was constructed during the Kachchhapaghata dynasty (gives specific dates 1055โ1075 CE).
Gives a clear example where a temple (a Durga temple at Aihole) was built on the model of a Buddhist chaitya and stands on a raised platform in the form of a semi-circle, showing circular/curvilinear temple plans existed.
A student could use this example plus a regional map/dates to ask whether the circular form appears in central India and whether Kachchhapaghata-era sites show similar plans.
States the general early-temple pattern: the early temple was a small square garbhagriha, indicating that non-square plans were exceptions rather than the rule.
A student could use this rule to treat a circular plan as an architectural exception and therefore seek specific inscriptions or archaeological reports tying that exception to the Kachchhapaghatas.
Describes features of early and later temple forms (shikhara over central shrine, carved walls, cave/chaitya traditions), suggesting continuity from rock-cut/chaitya forms to later plans.
A student might connect chaitya-derived curved plans to a circular Chausath Yogini design and then check whether such chaitya-derived forms occur in Morena/Kachchhapaghata contexts.
Notes that regional dynasties (e.g., Chandelas) built major temple complexes, implying that identifying the patron dynasty for a temple requires matching regional dynastic activity and temple typology.
A student could compare the geographic and chronological range of the Kachchhapaghata dynasty with known dynastic temple-building patterns to judge the plausibility of their patronage of the Morena temple.
- Explicitly describes the temple's circular architecture and characterizes it as unusual.
- States it is "one of the few surviving shrines," which implies it is not uniquely the only circular temple.
- Directly names the circular form as the temple's most striking feature, confirming its circular design.
- Supports the premise of the question (that the temple is circular) without asserting exclusivity.
- Notes the temple as a "striking departure from traditional Indian temple architecture," supporting that its circular plan is distinctive.
- Adds contextual support that the temple is notable for its atypical (circular) form, not that it is uniquely the only one.
Describes a Durga temple at Aihole built on the model of a Buddha chaitya standing on a raised platform in the form of a semi-circle, showing non-rectangular/ non-square temple plans existed.
A student could use this example to argue circular or curvilinear plans were used elsewhere and then check site lists/maps (e.g., Aihole, other chaitya-influenced sites) for additional rounded-plan temples.
States early temples were often a small square garbhagriha but also notes evolving temple forms, implying a variety of plans developed over time.
From the pattern of evolving plans, a student could survey regional temple typologies (using basic references or maps) to see if circular plans appear in other regions/periods.
Contrasts temple shapes at Aihole by naming a rectangular temple (Huccimalligudi), indicating that specific shapes were recognized and recorded, so shape uniqueness can be checked by comparing documented forms.
A student could compile documented temple shapes from known sites (Aihole as example) to test whether any other circular-plan temples are recorded.
Notes that some temples were hollowed out of huge rocks (artificial caves) and illustrates diverse construction techniquesโanother indicator that plan shapes varied with tradition.
One could extend this by examining rock-cut complexes (e.g., Sanchi, Ellora) on a map for circular/ambulatory plans or chaitya halls with curved ends.
Describes the large number and variety of rock-cut cave temples at Ellora carved by multiple dynasties, implying architectural diversity across sites and patrons.
Use the documented diversity at multi-site complexes like Ellora as a rationale to search other major temple complexes for circular-plan examples via site catalogues or maps.
- Explicitly identifies the temple with Shakti and the 64 Yoginis, showing its purpose was Yogini/Shakta worship rather than Vaishnava promotion.
- Describes the site as for spiritual contemplation and mystic rituals associated with Yogini/Shakti traditions, not Vaishnavism.
- States the temple is a shrine dedicated to the 64 Yoginis, linking it to Tantric/Yogini traditions rather than Vaishnava cults.
- Defines Yoginis as mystical female deities in Tantric traditions, indicating the temple's sectarian orientation is Shakta/Tantric.
States a general pattern that rulers built and promoted temples to associate themselves with the divine and to win support, making temple-building an instrument of spreading particular religious affiliations.
A student could seek whether local rulers or patrons linked to the Chausath Yogini temple had known Vaishnava affiliations or used the temple for political-religious legitimation.
Notes that dynasties like the Chalukyas patronised both Saivism and Vaishnavism, inviting Brahmins and holding ritualsโshowing that elite patronage could actively promote a sect.
Check whether similar patterns (donations, resettlement of Vaishnava priests, ritual endowments) are recorded for patrons connected to the Morena temple.
Gives an example where rulers introduced the worship of a specific form of Vishnu (Vitthala) into a different region, showing rulers could transmit Vaishnava cults across regions.
Compare whether the Chausath Yogini site's iconography or patronage shows introduction of a Vishnu form into that locale.
Explains that temples functioned as social institutions and hubs for cultural life, so converting a temple into a center for a particular devotional cult was a viable mechanism.
Look for evidence that the Morena temple served wider social functions (festivals, landed endowments) aligned with Vaishnava institutional expansion.
Mentions the Azhwars and the centrality of Vaishnava hymns and their commentaries from the twelfth century, indicating literary-religious movements that could accompany temple-based Vaishnava expansion.
Search for presence of Vaishnava hymn usage, inscriptions quoting such hymns, or local traditions linking the temple to Vaishnava devotional literature.
- Explicitly suggests Edwin Lutyens 'may have drawn inspiration' from ancient Indian designs and names the Chausath Yogini Temple as a possible source.
- Directly ties the temple's 'stunning circular layout' to the Parliament's design while noting this is speculative (mentions alternative Western influences).
- Reports that visitors have compared the Chausath Yogini Temple with the Indian Parliament building.
- Specifically cites the shared 'circular' style as the basis for the comparison.
- States the temple's 'circular configuration has drawn intriguing comparisons with the design of India's Parliament House.'
- Frames the similarity as a noted comparison, reinforcing that the temple is cited in relation to the Parliament's design.
Describes the new Parliament building as 'not square or round โ it's like a soft triangle' and says its interiors include 'temple patterns' among decorative motifs.
A student could compare the Parliament's threeโsided/triangular plan with known plans of temples (including circular or polygonal plans) to see if a specific temple type matches the shape.
Explains early temple plan conventions (garbhagriha as a small square room) and that temple forms evolved into larger, more elaborate plans.
Use this rule about temple-plan evolution to assess whether the Parliament's triangular plan resembles any later or regional temple plan variants (e.g., circular or polygonal sanctuaries).
Notes identifiable temple elements such as shikhara and entrance to garbhagriha and that temple walls were often decorated with sculpture.
A student could inspect whether Parliament's exterior or interior architectural motifs correspond to identifiable temple elements (shikhara, garbhagriha plan, circular colonnades) to infer possible inspiration.
Gives an example of innovative temple planning (Vitthala temple with a chariot-shaped shrine and complex halls), showing temple architecture adopted varied unconventional plans.
Since temples can have non-rectangular, symbolic plans, a student could survey examples of polygonal or circular temples (like some yogini temples are circular) and compare footprints with Parliament's plan.
Describes regional architectural techniques and that temple plans vary (excavated cave vs structural temples), implying diversity of temple forms across India.
Use the documented diversity of temple forms to justify checking specific regional temple examples (e.g., Morena's Chausath Yogini) for geometries similar to the Parliament layout on a map or plan.
- [THE VERDICT]: Sitter (via Elimination) / Current Affairs Trap. Source: News articles on the New Parliament Project (Central Vista).
- [THE CONCEPTUAL TRIGGER]: The 'Old vs New Parliament' debate. Whenever a national symbol is replaced or renovated, its historical origins become high-yield.
- [THE HORIZONTAL EXPANSION]: Memorize other Circular/Yogini temples: Bhedaghat (Jabalpur), Hirapur (Odisha), Ranipur-Jharial (Odisha). Know the Kachchhapaghata Dynasty: Capital (Sihoniya/Gwalior), other monuments (Sas-Bahu Temple, Gwalior).
- [THE STRATEGIC METACOGNITION]: Do not read Art & Culture in isolation. If 'Parliament' is in the news, Wikipedia the 'Old Parliament Building'. The first paragraph mentions the Chausath Yogini inspiration theory. That's your lead.
Knowledge of common temple ground plans (circular, semi-circular, square) is directly relevant to identifying whether a temple was built as a circular structure.
High-yield for architectural attribution questions: recognizing plan types helps narrow chronology and regional style. Connects to iconography and construction techniques when assigning a temple to a period or dynasty. Useful for MCQs and short-answer questions asking to distinguish temple forms.
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 9: Cultural Development in South India > Aihole (Ayyavole) > p. 120
- THEMES IN INDIAN HISTORY PART I, History CLASS XII (NCERT 2025 ed.) > Chapter 4: Thinkers, Beliefs and Buildings > 10.3 Building temples > p. 105
- THEMES IN INDIAN HISTORY PART I, History CLASS XII (NCERT 2025 ed.) > Chapter 4: Thinkers, Beliefs and Buildings > Fig. 4.24 An image of Durga, Mahabalipuram (Tamil Nadu), c. sixth century CE > p. 106
Assigning a temple to a specific dynasty requires familiarity with which dynasties patronised which temple types and regions.
Crucial for matching monuments to ruling houses in history papers and prelims. Understanding which dynasties (Pallavas, Rashtrakutas, regional Rajput houses, etc.) built particular temple styles allows candidates to infer probable patrons and dates. Enables elimination-style reasoning in questions on provenance.
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 8: Harsha and Rise of Regional Kingdoms > Religion > p. 114
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 9: Cultural Development in South India > 9.5 Mamallapuram > p. 129
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 10: Advent of Arabs and Turks > Rajput Kingdoms > p. 139
Dating and regional identification depend on recognizing the transition from rock-cut cave/chaitya forms to fully structural temples and local stylistic traits.
Important for chronological reasoning: knowing architectural evolution helps place a temple in a time-frame and link it to likely builders. Ties into broader topics like temple complexes, shikhara development, and regional schools โ frequently tested in mains and prelims.
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 9: Cultural Development in South India > Aihole (Ayyavole) > p. 120
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 9: Cultural Development in South India > 9.5 Mamallapuram > p. 129
- THEMES IN INDIAN HISTORY PART II, History CLASS XII (NCERT 2025 ed.) > Chapter 7: An Imperial Capital: Vijayanagara > 5. The Sacred Centre > p. 186
Early and medieval Indian temples used a variety of ground plans including semi-circular (apsidal), rectangular and square forms.
High-yield for architectural questions: understanding plan types helps identify dynastic styles, regional variations, and evolution from rock-cut to structural temples. It links to questions on typology, temple function and iconographic placement, enabling elimination of incorrect options in architecture comparisons.
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 9: Cultural Development in South India > Aihole (Ayyavole) > p. 120
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 9: Cultural Development in South India > Aihole (Ayyavole) > p. 121
- THEMES IN INDIAN HISTORY PART I, History CLASS XII (NCERT 2025 ed.) > Chapter 4: Thinkers, Beliefs and Buildings > 10.3 Building temples > p. 105
Indian temple building developed in two parallel streams: hollowed rock (cave/chaitya) and built structural temples.
Important for distinguishing chronology and technology in art-history questions; rock-cut examples explain early forms and transition to structural plans, connecting to engineering, patronage and sectarian contexts useful for essays and mains answer framing.
- THEMES IN INDIAN HISTORY PART I, History CLASS XII (NCERT 2025 ed.) > Chapter 4: Thinkers, Beliefs and Buildings > Fig. 4.24 An image of Durga, Mahabalipuram (Tamil Nadu), c. sixth century CE > p. 106
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 9: Cultural Development in South India > 9.3Ellora > p. 127
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 8: Harsha and Rise of Regional Kingdoms > Architecture > p. 114
Sites like Aihole, Ellora and Mamallapuram represent major regional experiments in form, sculpture and temple types.
Crucial for prelim and mains: helps map stylistic centres to dynasties, compare regional innovations, and construct source-based answers on cultural development and temple architecture.
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 9: Cultural Development in South India > Aihole (Ayyavole) > p. 120
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 9: Cultural Development in South India > 9.3Ellora > p. 127
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 9: Cultural Development in South India > 9.5 Mamallapuram > p. 129
Rulers built and endowed temples to associate themselves with divine authority and to win social and political support.
High-yield for UPSC because it explains motives behind temple construction, royal rituals, and land grants; connects political legitimacy, religious policy, and architectural patronage; useful for answering questions on why rulers invested in religious monuments and how that shaped society.
- THEMES IN INDIAN HISTORY PART II, History CLASS XII (NCERT 2025 ed.) > Chapter 7: An Imperial Capital: Vijayanagara > 5.1 Choosing a capital > p. 184
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 9: Cultural Development in South India > Religion > p. 120
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 11: Later Cholas and Pandyas > Religion > p. 161
Since Kachchhapaghata is now on the radar: The 'Sas-Bahu Temple' (Sahastrabahu Temple) in Gwalior was also built by them (King Mahipala, 1093 CE). It is dedicated to Vishnu (Padmanabha), unlike the Yogini temple.
The 'Only' Hack + Name Logic. Statement 2 says 'It is the ONLY circular temple'. In Indian architecture, 'only' is rarely true (e.g., Bhedaghat is famous). Eliminating 2 removes Options A, B, and D instantly. You arrive at Answer C without knowing the dynasty or the Parliament fact. Also, 'Yogini' implies Shakti/Tantra, contradicting 'Vaishnava' in Statement 3.
Mains GS1 (Art & Culture) to GS2 (Polity): The evolution of democratic spaces. How architectural choices (Circular vs Triangular Parliament) reflect the shift from 'Colonial Continuity' to 'Indigenous Assertiveness'.