Question map
Which one of the following statements about Sangam literature in ancient South India is correct ?
Explanation
The correct answer is Option 2.
Sangam literature, composed between 300 BCE and 300 CE, provides a detailed account of the socio-economic life in ancient South India. Option 2 is correct because while the Tamil society was primarily organized into five eco-zones (Tinais), the influence of Vedic culture led to the gradual introduction of the Varna system. Sangam poets like Tolka-ppiyar mention the presence of Brahmins (Anthanar) and the classification of society into distinct functional groups, indicating their awareness of Varna hierarchy.
- Option 1 is incorrect as the poems vividly describe trade, luxury goods, and urban life (Material Culture).
- Option 3 is incorrect because "Puram" poetry is centered entirely on warrior ethics, heroism, and the cult of the hero stone (Virakkal).
- Option 4 is incorrect because Sangam society believed in Anangu (sacred/magical powers) and irrational spirits, rather than dismissing them as irrational.
PROVENANCE & STUDY PATTERN
Guest previewThis is a classic 'Nature of Source' question. It doesn't demand rote memorization of a specific line but tests your understanding of the *themes* of Sangam literature (Love/Akam and War/Puram). If you knew the basic genre division, options A and C are instantly eliminated, leaving a logical choice based on North-South cultural diffusion.
This question can be broken into the following sub-statements. Tap a statement sentence to jump into its detailed analysis.
- Statement 1: Are Sangam poems in ancient South India devoid of any reference to material culture?
- Statement 2: Was the Varna social classification known to Sangam poets in ancient South India?
- Statement 3: Do Sangam poems in ancient South India contain references to a warrior ethic?
- Statement 4: Does Sangam literature in ancient South India refer to magical forces as irrational?
Sangam literature is described as a key source consulted by historians to investigate the society and culture of the times.
A student could check whether works used as social evidence commonly contain material-culture references (objects, crafts, places) to support their use as historical sources.
Tholkappiyam is noted as dealing not only with poetry but also the society and culture of the times, implying literary texts include social-cultural detail.
One could look in Tholkappiyam for explicit mentions of crafts, tools, dress, or economic activities as examples of material-culture references.
The thinai concept links ecological zones to specific people, deities and cultural life, a pattern in Sangam poems tying landscape descriptions to human activities.
Using basic geographic knowledge, a student could infer that poems describing fishing, agriculture, or hill life likely mention related material items (boats, ploughs, weapons) and then seek such terms in the texts.
This snippet lists concrete craft production (bronze vessels, beads, textiles, shell bangles, iron smithy, pottery) attested for the Sangam Age, linking the period to recognizable material culture.
A student could test whether Sangam poems reference the same crafts/items named here, using the archaeological/archival inventory as a checklist.
A Sangam work (Pathitrupathu) praises Kodumanam for gemstones, and excavations at Kodumanal yielded conches, bangles, furnaces and inscribed potsherds, showing literary place-names correspond to material finds.
One could use the correspondence between poem-place-names and archaeological finds to hypothesize that poems include material-detail (gem trade, crafts) and then search those poems for such references.
This statement analysis shows book citations, web sources and indirect clues. The first statement (S1) is open for preview.
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This statement analysis shows book citations, web sources and indirect clues. The first statement (S1) is open for preview.
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This statement analysis shows book citations, web sources and indirect clues. The first statement (S1) is open for preview.
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