The Nagara, the Dravida and the Vesara are

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Q: 24 (IAS/1995)
The Nagara, the Dravida and the Vesara are

question_subject: 

History

question_exam: 

IAS

stats: 

0,466,78,32,38,466,8

keywords: 

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The correct answer is Option 3: the three main styles of Indian temple architecture.

1. The Nagara style: The Nagara style of temple architecture is predominantly found in northern India. It is characterized by a curvilinear shape, with a high and prominently carved tower called a shikhara. The shikhara gradually tapers towards the top and is often adorned with intricate sculptures of deities, celestial beings, and mythological figures. The Nagara temples typically have a square or rectangular base and feature multiple entranceways.

2. The Dravida style: The Dravida style of temple architecture is primarily found in the southern part of India, particularly in the states of Tamil Nadu, Karnataka, and Andhra Pradesh. This style is characterized by its towering gopurams (monumental gateways) with intricate carvings and sculptures. The gopurams are often multi-storied and serve as the main entrance to the temple complex. Dravida temples usually have a pyramidal or stepped tower known as a vimana, which is the main sanctum housing the deity.

3. The Vesara style: The Vesara style of temple architecture is a combination of the Nagara and Dravida styles and emerged in central India. It incorporates elements from both styles and is characterized by a blend of curvilinear and rectilinear features. Vesara temples often have a square or rectangular plan, with a smaller tower compared to the Nagara style. They feature elements like the shikhara and gopuram, as well as intricately carved pillars and sculptures.

These three styles of Indian temple architecture have distinct regional and historical influences. They showcase the diversity and evolution of architectural traditions across different parts of India. It`s important to note that the classification of Indian temple architecture into these styles is based on the prevalent features and characteristics observed in the temples rather than racial groups, linguistic divisions, or musical gharanas.