Question map
Consider the following pairs : (Historical place) (Well-known for) 1. Burzahom : Rock-cut shrines 2. Chandraketugarh : Terracotta art 3. Ganeshwar : Copper artefacts Which of the pairs given above is/are correctly matched?
Explanation
The correct answer is Option 4 (2 and 3). Here is the detailed explanation for each pair:
- Pair 1 is incorrect: Burzahom (Jammu & Kashmir) is a celebrated Neolithic site known for its unique pit-dwellings, polished stone tools, and distinctive burials. It is not associated with rock-cut shrines, which are features of much later architectural periods (like Ajanta or Ellora).
- Pair 2 is correct: Chandraketugarh, located in West Bengal, was a major urban center from the Mauryan to the Gupta periods. It is world-renowned for its exquisite terracotta art, including figurines and plaques that depict various social and religious themes.
- Pair 3 is correct: Ganeshwar (Rajasthan) is the center of the Ganeshwar-Jodhpura culture. It is famous for its prolific production of copper artefacts, such as arrowheads, spearheads, and bangles, supplying copper to Harappan sites.
Since pairs 2 and 3 are accurately matched, Option 4 is the right choice.
PROVENANCE & STUDY PATTERN
Full viewA classic 'Mix & Match' of eras. Ganeshwar is a direct lift from NCERT Class 12 (Themes I). Burzahom is an 'Elimination by Chronology' trap (Neolithic sites don't have historic rock-cut architecture). Chandraketugarh is the differentiator, requiring knowledge beyond basic NCERTs (often found in Fine Arts or Nitin Singhania).
This question can be broken into the following sub-statements. Tap a statement sentence to jump into its detailed analysis.
Direct description of Burzahom places it in the Neolithic period with pit-houses and stone tools, not in the later periods when rock-cut shrines are known to appear.
A student could note the chronological gap and check that most named rock-cut shrine complexes belong to much later historic periods, making it less likely for a Neolithic site like Burzahom to feature such shrines.
Defines rock-cut cave groups (Ajanta, Ellora, Bagh, Udayagiri) and associates them with distinctive later stylistic developments.
A student can compare the geographic and temporal centres of famous rock-cut shrines with Burzahom’s Neolithic Kashmir location to judge plausibility.
States that major rock-cut shrines (Ellora, Elephanta) belong to specific medieval dynasties (e.g., Rashtrakutas) and display complex monolithic workmanship.
A student could use this rule that sophisticated rock-cut shrines are products of later historic polities to infer that an Early/Neolithic site like Burzahom probably lacks such monuments.
Describes Kashmir’s karewa deposits and valley geology (lacustrine deposits rather than extensive exposed rock formations).
A student might combine this geological note with a map or geology reference to assess whether local rock suitable for large rock-cut shrines would commonly occur around Burzahom.
Lists Himalayan pilgrimage centres (e.g., Amarnath, Hazratbal) as important shrines in the region but treats them as pilgrimage sites rather than rock-cut cave shrines.
A student could use this to separate ‘shrine/pilgrimage centre’ types from ‘rock-cut cave’ types and then ask which category Burzahom fits historically and archaeologically.
Gives a concrete example: a terracotta sculpture from West Bengal (c. seventeenth century), showing terracotta production in that region.
A student who knows Chandraketugarh is in West Bengal could use this regional example to suspect Chandraketugarh might also be a terracotta-producing/archaeological site and then check site-specific sources or maps.
Describes terracotta figurines as important archaeological/artistic finds at ancient sites (Harappan), establishing terracotta as a common medium in Indian archaeological contexts.
Use the pattern that many archaeological sites yield terracotta art to plausibly consider Chandraketugarh (an archaeological site) might have terracotta remains and then verify site reports or regional surveys.
Notes terracotta models (e.g., plough) found at various archaeological sites, illustrating that terracotta was widely used for figurative and modelled objects across sites.
Combine this general rule with the fact that Chandraketugarh is an excavation/heritage site (if known) to hypothesize terracotta finds there and seek excavation reports or museum catalogues.
Mentions a terracotta cart as an archaeological artefact in a discussion of Harappan economy, reinforcing the prevalence of terracotta objects in Indian archaeology.
Apply this recurring pattern of terracotta artefacts at historic sites to consider Chandraketugarh as potentially yielding terracotta art, then check regional archaeological records or site descriptions.
Provides an example of terracotta sculpture used in temple architecture (Ahichchhatra), showing terracotta’s use beyond small figurines across Indian sites.
A student could note terracotta’s architectural/ornamental uses and, knowing Chandraketugarh is a historic settlement, look for evidence of terracotta architectural decoration there.
- Identifies the Ganeshwar-Jodhpura culture in the Khetri area.
- Describes the culture as having an unusual wealth of copper objects.
- Explicitly links inhabitants of the region with supplying copper to the Harappans.
- Lists Khetri (Rajasthan) as a significant copper-bearing region in India.
- Supports the geographic plausibility of local copper production around Ganeshwar/Khetri.
- [THE VERDICT]: Moderate. Ganeshwar is a Sitter (NCERT Themes-I, p.12). Burzahom is a Logic Trap. Chandraketugarh is a Standard Reference fact.
- [THE CONCEPTUAL TRIGGER]: Archaeological Mapping. Linking specific sites to their defining 'Material Culture' (e.g., Copper, Terracotta, Microliths).
- [THE HORIZONTAL EXPANSION]: Burzahom (Kashmir) → Pit houses, Dog burials, Bone tools (Neolithic). Chandraketugarh (Bengal) → Shunga-Kushana period, Terracotta Yakshinis, Early Urbanisation. Ganeshwar (Rajasthan) → Khetri Copper mines, OCP culture, supplier to Harappa. Tamluk (Tamralipti) → Ancient Port + Terracotta.
- [THE STRATEGIC METACOGNITION]: Do not memorize sites in isolation. Tag them with their 'Time Period'. If you knew Burzahom = Neolithic (Stone Age), you would instantly reject 'Rock-cut Shrines' (Iron Age technology) without needing to know the other pairs.
Burzahom is identified with Neolithic pit houses, stone tools and early habitation features rather than monumental rock‑cut architecture.
High-yield for prelims and mains when distinguishing prehistoric/settlement archaeology from later temple architecture; connects to questions on regional prehistoric cultures, material culture, and excavation evidence.
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 1: Early India: From the Beginnings to the Indus Civilisation > The Neolithic Culture of Kashmir > p. 8
Ajanta, Ellora and Elephanta are classic examples of rock‑cut cave and shrine architecture distinct from prehistoric settlements.
Essential for questions on medieval and ancient art and architecture; helps classify periods, dynastic patronage (e.g., Gupta, Rashtrakuta) and religious affiliations of rock‑cut monuments.
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 7: The Guptas > Rock-cut and Structural Temples > p. 98
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 8: Harsha and Rise of Regional Kingdoms > Architecture > p. 114
Material remains like pit houses and tools indicate lived settlements, while rock‑cut shrines reflect a different category of religious/monumental construction.
Useful analytic lens for UPSC to evaluate site functions in source‑based questions and essays; helps infer chronology and cultural context by comparing types of archaeological remains.
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 1: Early India: From the Beginnings to the Indus Civilisation > The Neolithic Culture of Kashmir > p. 8
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 7: The Guptas > Rock-cut and Structural Temples > p. 98
Terracotta figurines and models are used to reconstruct artistic skill, technology and aspects of daily and agricultural life.
High-yield for UPSC because it links material culture to reconstruction of economy, technology and social practices; useful across questions on archaeology, ancient economy and cultural history. Mastery helps answer source-based and essay questions that ask how artefacts inform historical interpretations.
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 1: Early India: From the Beginnings to the Indus Civilisation > Arts and Amusement > p. 13
- THEMES IN INDIAN HISTORY PART I, History CLASS XII (NCERT 2025 ed.) > Chapter 1: Bricks, Beads and Bones > 2.1 Agricultural technologies > p. 3
- THEMES IN INDIAN HISTORY PART I, History CLASS XII (NCERT 2025 ed.) > Chapter 1: Bricks, Beads and Bones > Discuss... > p. 24
Terracotta production and styles occur in different regions (examples include West Bengal and Ahichchhatra), reflecting local artistic traditions.
Important for map-based and culture questions; helps candidates associate art forms with geographic regions and differentiate regional schools. Useful in comparative questions on cultural diversity and site-specific archaeology.
- THEMES IN INDIAN HISTORY PART I, History CLASS XII (NCERT 2025 ed.) > Chapter 3: Kinship, Caste and Class > Fig. 3.1 > p. 53
- THEMES IN INDIAN HISTORY PART I, History CLASS XII (NCERT 2025 ed.) > Chapter 3: Kinship, Caste and Class > Fig. 3.4 A battle scene > p. 60
Terracotta appears across periods—from early Harappan contexts to medieval and early modern sculptures—showing long-term continuity of the medium.
Helps in periodisation and comparative chronology questions; enables answers that trace persistence and change in craft traditions across eras, useful for both prelim and mains perspectives.
- History , class XI (Tamilnadu state board 2024 ed.) > Chapter 1: Early India: From the Beginnings to the Indus Civilisation > Arts and Amusement > p. 13
- THEMES IN INDIAN HISTORY PART I, History CLASS XII (NCERT 2025 ed.) > Chapter 3: Kinship, Caste and Class > Fig. 3.4 A battle scene > p. 60
- THEMES IN INDIAN HISTORY PART I, History CLASS XII (NCERT 2025 ed.) > Chapter 3: Kinship, Caste and Class > Fig. 3.1 > p. 53
Ganeshwar-Jodhpura is identified as a culture with distinctive pottery and a notable concentration of copper objects.
High-yield for ancient Indian archaeology questions: explains regional craft specialization and supports arguments about proto-industrial production and craft elites. Connects to topics on Chalcolithic cultures, material culture, and early metallurgy; useful for comparing regional cultures and resource-based economies.
- THEMES IN INDIAN HISTORY PART I, History CLASS XII (NCERT 2025 ed.) > Chapter 1: Bricks, Beads and Bones > 6.1 Materials from the subcontinent and beyond > p. 12
Since Ganeshwar (Khetri Copper) was asked, watch out for the 'Ahar-Banas Culture' (sites like Balathal and Gilund). They are contemporary Chalcolithic cultures in Rajasthan but distinct for their stone/mud-brick architecture and lack of Harappan town planning.
The 'Time-Travel' Hack. Burzahom is a Neolithic (Stone Age) site known for pit-dwellings. 'Rock-cut shrines' (like Ajanta or Barabar) require advanced iron tools and state patronage, appearing thousands of years later. A Stone Age site cannot have Historic Era architecture. Pair 1 is chronologically impossible.
Economic Geography linkage: Ganeshwar exists specifically because of the Khetri Copper Belt. Always overlay Ancient History maps with Modern Mineral Resource maps (Geography NCERT). Civilizations don't appear randomly; they follow the geology.